This is from my first CD
Straight Ahead. I thought it would be a good one to share.
Yeah, A more-in-time version. Hee-it-go! I'm havin' fun tonight. Enjoy.
Clayton, this is your song "Don't Know Why I Love You". I kissed the wife and put her in a taxi for your double-header, and poured a glass of red wine and went to my studio to record something for you while you did your first set tonight. This was my favorite of the originals on your MySpace page. It rocks and I jammed some piano to it. I love the chord progression and was inspired to make this track. Thanks.
I just realized this song (version from my 2nd CD "
Just Joe") was the third thing posted on this blog back on October 7th, '08. Cool! In fact, I've been thinking why this doesn't happen more often. Most of these recent song posts are ones that I play sometimes daily and they come out quite different every time and it makes me think about sharing that process with you here. I will post different versions of more songs eventually as I build up the archives here but there are risks (such as just putting up any version that comes out of me and compromising integrity, or just plain clogging up this blog with a bunch of stuff). Sometimes I do think about posting multiple versions simultaneously of any given song and have it be more interesting than boring. I'm working on that.
Even though this version is in semi-free time it falls into the category of original tunes in the "standard jazz repertoire" style in melody and form.
This is a sublime piece written for strings (the Capriol Suite #V. Pied-en-L'air by Peter Worlock). Ever since I first heard it I wanted to play it on the piano. I carefully transcribed it to work with piano, but to make it come alive the voice leadings and inner melodies have to be there or it will simply sound like an average coral. I approach it like an étude and it's a study in a number of things not the least of which are some big stretches for my hands. I could see this being a great concert encore to send audiences off with a moving yet sweet moment.
I've been playing this more since my visit to Portland where I got to see my good friends Tarik and Julia Banzi - the inspiration for this song. They have a wonderful band called Al-Andalus that I've had the fortune of playing and recording with. This song doesn't sound like their music really, it's more of an abstraction of the feeling I got when listening to their music. Now it's evolved more into the neo-classical kind of thing that I do the most these days and here's a version that is very different than I've done before (as on my recording "
Piano Compositions and Improvisations"). It's a bit notey in my attempt to flourish about but what the heck! Here it is and maybe I'll post a minimalist version to contrast at some point.
Here we have a pretty energetic and impressionistic version of a song of mine inspired by Brazilian music. I do this song many ways and play it daily. I felt this would be good to post for its contrast to the main body of my work, that being rather introspective, somber, even sad. Well, not this!
Here I go again! This is a really special piece - the second movement (Andante) from the Italian Concerto. Wait a minute! - only the left hand part. I've been improvising with this for a while and finally got one that makes the cut. It's about ten minutes long so hang in there and enjoy.
This is such a powerful classical piece. Thank You Robert Schumann. It's so simple to play, (which means it's all in the interpretation) so it's extremely difficult to play and have meaning! Thank You YouTube for being such a great source of inspiration as I got great ideas for my version of this - and I know, I've added a few notes - it just felt right, that's all.
Wow! It's been a long time since my last entry here. I've been busy and here's something to show for it. A brand new album called "Cocktail Piano by request". Please check it out
here.